Amazing opportunity to learn the best “foldforming” metalworking techniques for enameling from the internationally-renowned inventor of this technique! Foldforming is a rapid, easily learned way of shaping sheet metal with hand tools. Create unique metal forms for enameling or other finishing approaches
Foldforming for Enameling – Charles Lewton-Brain 10/10-10/13
Thursday, October 10, 2019 - 9:00 am to Sunday, October 13, 2019 - 4:30 pm EDT$700.00 – $825.00
Anyone age 18 or older with basic enameling or metalworking experience.
This workshop will teach the foldforming techniques and folds that work more easily with enamels, especially the most appropriate approaches for textures and low relief designs.
We will teach you:
· How to create metal forms using the foldforming techniques this master artist and teacher developed and perfected
· How to use foldforming techniques to create the low relief folds that work best with enamels
· How to create line folds, bowls, and flatter folds
· How use metal scoring and bending, and chasing on air techniques
· Special considerations in enameling fold forms
This workshop consists of at least 4 projects that will cover several different materials and many techniques.
During this four-day workshop you will receive instruction, handouts, demonstrations, hands-on practice, some individual guidance as needed, and time for most students to complete or begin several projects.
Materials fee of $90 includes all materials and supplies (except hammers). In addition, you will get:
· Access to over 150 different enamels for use during the workshop
· Use of the extensive Foundation equipment and tools needed to complete your projects
· On-site access to one of the few retail stores in the US offering enamel and enamel supplies
· Exposure and inspiration during our breaks from hundreds of beautiful ancient and modern enameled art pieces in our world-class museum, the largest diverse collection of art enamels in the world
“Foldforming” is a relatively new, rapid, easily learned way of shaping sheet metal with hand tools. Tools are simple: fingers, hands, anvil, hammers, mallets, and rolling mills.
This system of metal forming was by invented Charles Lewton-Brain, then further developed and perfected by him between 1980 and the present. It uses the characteristics of the metal to create forms that the metal “likes to do.” Rather than forcing form upon the material, forms use the natural tendencies of the plasticity, ductility, and elasticity of the metal. The British Museum Research Lab and the Rolex Awards for Enterprise, among others, have certified that foldforming is new, and has not been done before in the history of metal working.
Foldforming takes sheet metal and quickly creates wonderful 3-D shapes and textures, most from single sheets of metal without any soldering. The metal is folded, worked, and unfolded. Because you are not forcing a form on the metal, foldforming is extremely efficient and very rapid (many radical changes in cross section and surface can be made in 3-5 minutes).
The resulting shapes resemble chased, constructed, and soldered forms and often cannot be arrived at in any other way in a comparable working time. The techniques may be used with most metals including aluminum, niobium, titanium, gold, silver, copper, platinum, and steel. As there is no soldering for high relief forms the surfaces are applicable for jewelry, hollowware, enameling, anodizing, and other finishing approaches.
Fold forms can be lovely as finished products but are often at their best as starting points or components of more complex pieces. An example of this might be slicing up a fold form, manipulating the elements and re-soldering, or using it as an element in a constructed structure. Thousands of people now use the procedures in their work, and to make a living.
Charles Lewton-Brain, Master Goldsmith
The workshop will be held at the Carpenter Art Enamel Foundation headquarters at 645 Colfax Avenue in Bellevue, KY, right across the river from Cincinnati. We are about ten minutes from downtown Cincinnati, but in an area of northern Kentucky that has less traffic and is a bit easier to navigate than the big city. Although our headquarters is housed in one of the largest facilities in the world dedicated to art enameling, we enjoy being a part of the small river community of Bellevue on the “south bank” of the Ohio River. In fact, the mayor is on our Board of Directors (he is also an accomplished enamellist).
We are tucked away in a small, quiet industrial park off Berry Avenue. You will find plenty of parking alongside our building and in a large gravel lot in front of the industrial building next door. For a map and more information, <click here [link to map, pic]>.
How you should prepare for the course
Charles will provide some specific design options for you to follow. However, you may want to search online or in magazines or to take photos for design inspiration to add personal touches to your work.
Please do not wear sandals, open-toed shoes, scarves or other clothing with tassels or loose ends that could get caught in tools or equipment.
How to save the cost of this workshop
Young and old of various economic means attend our workshops. All are welcome! If you want to save money, we can help. Of course, you will want to start by becoming a Premium Member and saving 15% off the cost of the workshop <click here to join>.
Travel will be the biggest part of your cost unless you live close by. Cincinnati is one of the lowest-cost metropolitan areas to visit, but we can help you get the cost even lower! See this resource page for money-saving travel information that could help you save the entire cost of the workshop, maybe even more: <click here>. If you don’t have a car when you are in town, we might even be able to give you a ride from a nearby hotel.
In addition, you may want to stay a few days extra days to enjoy some of world-class attractions that the Cincinnati area offers (in addition to our workshops!). We have listed some of our favorite places here: <click here>.
If cancelled within 30 days of the workshop, no refunds are issued. If cancelled more than 30 days prior to the workshop, a refund (less a $60 service fee) may be issued if the workshop is fully booked, not including your registration.
If you qualify for a refund, you may apply the total amount to a future workshop conducted in the next 12 months (service fee waived).
Registrations are not transferable.
The Foundation reserves the right to cancel any workshop due to insufficient enrollment and will notify students of any cancellation at least three weeks prior to the start of the workshop. In the event that WWCEF (The Foundation) cancels a workshop the student will receive a full refund.
The Foundation cannot be responsible for airline tickets or other travel costs in the event of a cancellation.
The Foundation is committed to the safety of all students. A series of informational safety procedures have been established for all studio areas that involve some risk of injury in the use of certain equipment. Your instructor will go over safety procedures during your workshop but we would also like for you to be aware of your workshop’s risks before you register for a workshop. As a condition of registration we ask that you read the ‘Safety Procedures Policy’ and acknowledge that you have done so upon registration.
The Foundation makes every effort to ensure students have a safe and meaningful experience while participating in our activities. However, some aspects of work done at The Foundation can involve a certain amount of risk. Work is done with hot equipment i.e. furnaces, kilns and torches. To safeguard The Foundation we ask students to release The Foundation from liability and voluntarily take on the assumption of risk. As a condition of registration we ask that you read the ‘Release of Liability and Voluntary Assumption of Risk’ and acknowledge that you have done so upon registration.
By clicking ‘Buy Now’ you acknowledge that you have read and understand the terms above including the ‘Safety Procedures Policy’ and ‘Release of Liability and Voluntary Assumption of Risk’.
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You also have the option of calling us and paying by check or credit card. A $35 fee will be charged for cancelled checks. Call 859-291-5901 and ask for Tom.